![]() ![]() I played with an Autodyne for about 15 minutes in a store once and was blown away, but otherwise don’t have much experience with hardware compressors, only really messed with compression in the box with stock plug ins and what not. Right now my go to is patching a Cold Mac as a compressor, and then sending a feedback signal to get a bit of hair on it as well. If this was true I’m guessing compressors wouldn’t sound so good on everything : ) I read someone somewhere say they don’t believe in using compression on synthesizers because it’s already compressed (I guess by the 10vpp? or just less stray transients? not certain what they meant). Even when there’s a keyboard synthesizer demo, I can’t always tell how similar that signal is to the signals I’d be sending. ![]() It’s hard for me to tell how pairing a guitar compressor pedal with my Eurorack system would sound based on youtube demos, for example. I’m especially curious to hear about people’s strategies towards using compression with electronic instruments and synthesizers because there’s a lot less written about that on the internet, compared to guitars. What’s your preferred compressor/compressor type for what purpose? Do you just use it at the mixing and mastering stage, or do you “play” with it on? In the spirit of other effect threads, I thought it would be fun to share thoughts on using compression. ![]()
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